![]() ![]() 2.ĩ Hudson, ed., Four Middle English Romances, p. 2.Ħ Harriet Hudson, ed., Four Middle English Romances, p. 8.ĥ Herzman, Drake, and Salisbury, eds., Four Romances of England, p. Mehl argues, “The fact that is always classed with the romances again reveals how inadequate some of our definitions of medieval genre are” ( Middle English Romances, p. Regardless of what they do, there must be a genre somewhere.ģ Crane, Insular Romance, p. He praises them as “The best actors in the world, either for tragedy, / comedy, history, pastoral, pastoral-comical, his-/torical-pastoral, tragical-historical, tragical-comical-/historical-pastoral, scene individable, or poem un-/limited” ( Hamlet, II.ii.392–96). 2.Ģ The reference to Shakespeare is, of course, where Polonius is speaking to Hamlet about the players. KING OF TARS, INTRODUCTION: FOOTNOTES 1 Solomon, Beyond Formula, p. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |